Tremolo
is a
musical term with two
meanings:
- A rapid repetition of the same note, or
an alternation between two or more notes.
- A rapid and repetitive variation in
pitch for the duration of a note. This is more usually
called
vibrato.
A fuller discussion of the second sense
given above can be found at
vibrato. The rest of this
article is concerned with the first meaning.
Tremolo is
also a short name for
Tremolo bridge, a part of
an
electric guitar that can be
used to create a
vibrato pitch-variation
effect. In the electric guitar terms, vibrato often
refers to a rapid repetetive increase and decrease in
volume, similar to the first meaning of tremolo as defined
above. This opposite naming of vibrato and tremolo was made
popular by the products of the
Fender Musical Instrument
Corporation and has since become the norm in the
nomenclature of players of
electric guitar. Other
names for the device are Whammy Bar and Trem Bar. The
Bigsby vibrato is one
example of this device.
Tremolo is
the rapid repetition of one note in
music or a rapid
alternation between two or more notes. It is sometimes
called tremolando, especially when referring to a
rapid repition on a bowed
string instrument, one of
the most commonly seen uses of the technique. Tremolo on a
violin or similar
instrument is sometimes combined with playing sul
ponticello (over the bridge of the instrument), which
gives a thin and reedy effect, often perceived to be
"ghostly."
Another common use of the technique on one
note is in the playing of the
mandolin. Once a mandolin
string is plucked, the note decays very rapidly, and by
playing the same note many times very rapidly, the illusion
of a sustained note can be created.
Tremolo on two or more notes is most
frequently seen on the
piano or other
keyboard instruments. The
composer
Franz Liszt often calls for
the technique to be used in his piano pieces. When used on
the piano, tremolo can create a seemingly louder and larger
sound, which can be sustained indefinitely. Historically,
its use on keyboard instruments can be traced back to a time
before the
invention of the piano when
harpsichords and similar
instruments such as the
spinet were standard. These
instruments could not sustain notes for nearly as long as a
modern piano, and so tremolo was used to simulate a longer
sustain, as well as being used as an independent effect.
Notation
In
music notation, tremolo is
indicated by strokes through the stems of the notes (in the
case of semibreves, which lack stems, the bars are drawn
above or below the note, where the stem would be if there
were one). Generally, there are three strokes, except on
quavers (eighth notes) which take two, and semiquavers
(sixteenth notes) which take one:

Because this is the same notation as would
be used to indicate that regular repeated demisemiquavers
(thirty-second notes) should be played, the word tremolo
or the abbreivation trem., is sometimes added
(particularly in slower music, when there is a real chance
of confusion). Alternatively, more strokes can be used.
If the tremolo is between two or more
notes, the bars are drawn between them:

See also