Popular music,
sometimes abbreviated
pop music, is
music belonging to any of a
number of musical styles that are broadly popular.
Definitions
The term is used in both broad and narrow
senses. In the broader sense, "popular music" means any sort of
music intended for
mass consumption and propagated
over the radio and similar media--in other words, music that forms
part of
popular culture. For the
varieties of popular music so defined, see the list of genres
below.
A narrower sense, usually rendered as "pop
music", covers
mainstream music that does not
fall into any more specialized style such as
jazz or
hip hop.
Theories of popular music
Among scholars in the humanities, a broader
range of definitions have been proposed.
Frans Birrer (1985, p. 104) gives four
conceptions or definitions of "popular"
music:
- Normative definitions.
Popular music is an inferior type.
- Negative definitions.
Popular music is music that is not something else (usually
'folk' or 'art' music).
- Sociological definitions.
Popular music is associated with (produced for or by) a
particular social group.
- Technologico-economic definitions.
Popular music is disseminated by mass media and/or in a mass
market.
All of these, according to Middleton (1990, p.4)
"are interest-bound; none is satisfactory." According to Hall
(1978, p.6-7), "The assumption...that you might know before you
looked at cultural traditions in general what, at any particular
time, was a part of the elite culture or of popular culture is
untenable." Thus popular music must be comprehended in relation to
the broader musical field (Middleton 1990, p.11).
Bennett (1980, p.153-218) distinguishes between
'primary' and 'secondary' popular culture, the first being mass
product and the second being local re-production, discussed
further below.
"While
repetition is a feature of all
music, of any sort, a high level of repetition may be a specific
mark of 'the popular', enabling an inclusive rather than exclusive
audience." (Middleton 1990, p.139)
Popular music as a business enterprise
Much popular music is the product of the modern
business enterprise, disseminated for the purpose of earning a
profit. Executives and employees of popular music businesses try
to select and cultivate the music that will have the greatest
success with the public, and thus maximize the profits of their
firm. In this respect, popular music differs from traditional
folk music, which was created by
ordinary people for their own enjoyment, and from
classical music, which was
originally created to serve the purposes of the Church or for the
entertainment of the nobility. (Today classical music is often
subsidized by governments and universities.)
Although the controlling forces of popular music
are business enterprises, young people who aspire to become
popular musicians are certainly not always driven by the profit
motive. Rather, they often want to find an outlet for their sense
of expression and creativity, or simply to have fun. Historically,
the conflicting motives of business people and musicians has been
a source of tension in the popular music industry.
Performance of popular music by amateurs
Many people play popular music together with
their friends, often in garages and basements, on a casual amateur
basis. This activity is one of the most widespread forms of
participatory music-making in modern societies. As participatory
music, "garage bands" are in a sense a resurrection of the old
tradition of
folk music, which in premodern
times was composed and performed by ordinary people and
transmitted exclusively by word of mouth. The difference between
the old folk music and modern amateur performance of popular music
is that the participants in the latter genre are well acquainted
with the expert performances that they hear on recordings, and
often try to emulate them.
The older folk music of a society often lives on
in a popularized version, which is likewise performed by experts
and commercially disseminated. Such updated versions of folk music
often have heavy amateur participation.
Form
- Main article:
Song structure (popular music).
Form in popular music is most often
sectional.
Performers
A list of performers of popular music can be
found at:
Genres
Popular music dates at least as far back as the
mid 19th century. Below is a list of genres.
Different genres often appeal to different age
groups. These often, but not always, are the people who were young
when the music was new. Thus, for instance,
Big band music continues to have
a following, but it is probably a rather older group, on average,
than the audience for
rap. For a few of the genres
listed below (for instance,
Ragtime), the original target
generation may have died out almost entirely.
Genres that are not popular music
Musical genres usually not considered popular
music would include the following:
As noted earlier, these have a distinct
character from popular music: either they are transmitted by word
of mouth rather than in organized fashion (children's songs,
authentic folk music) or else they are produced to fill the needs
of a particular social institution (church, aristocracy, the
military, or the state).
See also