The player piano is a type of
piano that plays
music without the need for a
human
pianist to depress the normal
keys or pedals. Instead, these are moved by mechanical, pneumatic
or electrical means. One cannot say that this
musical instrument was invented
by any one person, since its many distinguishing features were
developed over a long period of time, principally during the
second half of the
19th century. An early example
was the Pianista, developed by Henri Fourneaux in
1863, though ultimately the best
known was the Pianola, originally created by Edwin Scott
Votey in
1895 at his home workshop in
Detroit. Player pianos were
sometimes built with combinations of string and wind
music boxes built into them,
under brand names such as Orchestrion and Violina.
These massive devices were the most complicated mechanical musical
instruments ever built, with the exception of a few
organs. The player piano was most
popular in the first half of the
20th century, roughly at the same
time as the acoustic
gramophone.
Types of Player Piano
The most commonly found older player pianos are
pneumatic, powered by vacuum (via foot pedals or electric motors).
There are two main types: one fully automatic which faithfully
reproduces a pianist's interpretation of the music, and one which
lacks the nuance of live performance. Nowadays, these are usually
known as the reproducing piano and the pianola
respectively, though there are also instruments that cross this
exact division. Originally, the Pianola (with a capital
'P') was a registered tradename of the Aeolian Company.
The most familiar type of pneumatic player piano
looks like a normal upright piano, but has a mechanism controlled
by a paper music roll contained within the cabinet of the
piano itself. However, the original pneumatic players were
constructed in a separate cabinet, which was placed in front of
the keyboard of an ordinary piano, in such a way that a series of
felt-covered wooden or metal "fingers" were located above each key
of the piano and struck the corresponding note as indicated by the
music roll. Most include one or more moving "feet" to control the
piano's pedals as well. Not surprisingly, these early instruments
came to be known as cabinet players or vorsetzers.
From around 1908, the roll mechanisms were also built into grand
pianos.
Ampico (American Piano Company), Welte-Mignon,
Duo-Art (Aeolian) are a few of the popular brands of (now antique)
reproducing piano mechanisms. Each uses a different encoding
method for the paper music roll and different internal systems to
control the piano during playback. These mechanisms were
retro-fitted into many different piano brands (Steinway, Marshall
and Wendall, Kimball, etc.)
Music Rolls
Music rolls for pneumatic player pianos, often
known as
piano rolls, consist of
continuous sheets of paper, about 11 1/4 inches wide and generally
no more than 100 feet in length, rolled on to a protective spool,
rather like a large cotton reel. The paper is perforated with
small holes according to the pattern of the notes to be played. On
reproducing rolls, additional holes control the volume level,
accents, pedals, etc., to faithfully recreate the original
performance.
Modern Player Pianos
Later developments of the reproducing piano
include the use of
magnetic tape rather than piano
rolls to record and play back the music, and, in the case of one
instrument made by
Bösendorfer,
computer assisted playback.
Almost all modern player pianos use
MIDI to interface with computer
equipment. Live performance or computer generated music can be
recorded in MIDI file format for accurate reproduction later on
such instruments.
At present, in 2005, several player piano
conversion kits are available (PianoDisc, Pianomation, etc.),
allowing the owners of normal pianos to convert them into computer
controlled instruments. The conversion process usually involve
cutting open the bottom of the piano to install mechanical parts
under the keyboard. Most modern player pianos come with an
electronic device that can record and playback MIDI files on
floppy disks and/or CD ROMs, and a MIDI interface that enables
computers to drive the piano directly for more advanced
operations.
Yamaha
produces the Disklavier, a reproducing piano that is
controlled by solenoids and optical sensors for each key. The
optical sensors record the notes and key velocity played by the
performer, without needing any physical contact with the keys.
This contact-less design allows accurate recording without
affecting the movement of the keys in any way. The solenoids move
the keys in response to the recorded MIDI events during playback.
One minor limitation of the Disklavier is that it is restricted to
playing sixteen notes at any one time, meaning that for any
complex music (such as the piano rolls of George Gershwin's 'An
American in Paris',) two synchronized instruments have to be used.
The Mark III series of the Disklavier is integrated with a CD
drive that can play several variations of Yamaha softwares. Since
the Mark III Disklavier is equipped with a full synthesizer, a CD
player, and a stereo audio system, it can playback acoustic piano
part with synthesized music and voice recording on the CD. The
Mark III also supports a silent mode where all the piano strings
are muted and the piano sound is played by the synthesizer through
the head phones. The feature allows late night piano practice
without waking up the neighbors. Yamaha also produces piano
accompaniment software on floppy disc that goes with off-the-shelf
popular music. The listener is able to play their flavorite
artist's regular CD on a Stereo system and at the same time play a
special floppy on the piano that would synchronize the piano part
with the rest of the music. Beginner piano player can also plays a
special software called SmartKey on the Disklavier. The piano
would pause and prompt the player to press the next key. As the
beginner plays his part, the piano would play the more complex
part to follow.
Another company, QRS Inc. of the USA, make the
most sophisticated type of reproducing piano system, called
Pianomation, which does not have the limitations of the other
manufacturers products. It can play 80 notes at a time, plus fully
orchestrated backing with vocals from original artists from the
internal hi-fi system built in. QRS also have the largest software
catalogue of 7000 titles (to date).
In 2005, the Yamaha Disklavier Mark IV was
released in Grand Piano form. This technologically advanced piano
features a wireless touch screen controller to control all aspects
of the piano's functions. It introduced a new 'greyscale' optical
sensing system which senses the position of the key without having
contact with the key, and thus does not interfere with the touch
of the piano. It is equipped with an XG tone generator and a
Yamaha hi-fi system mounted under the piano. It has an 80Gb hard
drive where the user can store many hours of performances,
including data for playing the piano, audio files, and data files
for the XG tone generator, or a combination of all. The Disklavier
can be controlled by a computer, and data generated from the
Disklavier can be recorded by the Disklavier, or sent to a
computer. The Disklavier is a centre-piece for the International
Piano e-competition, where performers from all over the world
perform on Yamaha CFIIIS concert grands equipped with Disklavier
technology connected to the internet. This competition means that
performers regardless of location can perform at other locations
without the limitations and variations of audio recording, and
playback for a level playing field in the competition.
Player Pianos versus Electronic Pianos
The distinction between a player piano
and an electronic piano lies in the reproduction of the
sound. A player piano is an acoustic piano where the sound
is produced by moving the keys, which in turn cause the hammers to
strike the piano strings. An electronic piano produces its
sound by means of a synthesizer that drives a pair of
loudspeakers.
See also
Player Piano
is also a novel by
Kurt Vonnegut.