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Genus (music)
In ancient Greek
music there were three genera
(singular: genus) for classifying
musical scales:
diatonic being the simplest and enharmonic the
most complex. The chromatic scale is an extension of the diatonic
scale: it can be generated by combining the diatonic scale with a
complementary
pentatonic scale. The enharmonic
scale is an extension of the chromatic scale, in which pairs of
enharmonic notes are
distinguished from each other.
The Greeks analzyed genera using various terms,
including diatonic, enharmonic, and chromatic, the latter being
the color between the two other types of modes which were seen as
being black and white. Scales are constructed from conjunct or
disjunct tetrachords: the tetrachords of the chromatic genus
contained a
minor third on top and two
semitones at the bottom, the
diatonic contained a
minor second at top with two
major seconds at the bottom, and the enharmonic contained a
major third on top with two
quarter tones at the bottom, all
filling in the
perfect fourth (Miller and
Lieberman, 1998) of the fixed outer strings. However, the closest
term used by the Greeks to our modern usage of chromatic is
pyknon or the
density ("condensation")
of chromatic or enharmonic genera.
| Didymos chromatic tetrachord |
16:15, 25:24, 6:5 |
| Eratosthenes chromatic tetrachord |
20:19, 19:18, 6:5 |
| Ptolemy soft chromatic |
28:27, 15:14, 6:5 |
| Ptolemy intense chromatic |
22:21, 12:11, 7:6 |
| Didymos chromatic/Archytas enharmonic |
28:27, 36:35, 5:4 |
- (ibid)
The pentatonic scale is one subset of the
diatonic scale, its complementary subset being the trivial 2-tone
scale, in which the
octave is divided into a
perfect fifth and a
perfect fourth.
It is possible to generalize this concept of
genus by establishing a hierarchy of genera G1,
G2, G3, et cetera, such that
either
- Gn =
Gn−1 ∪ Gn−2
or
- Gn =
Gn−1 ∪ (Gn−1 − Gn−2).
So let G1 be a 1-tone scale,
then
- G2 =
G1 ∪ G'1
is a 2-tone scale,
- G3 =
G2 ∪ G'1
is a 3-tone scale,
- G4 =
G3 ∪ G'2
is a pentatonic scale,
- G5 =
G4 ∪ G'2
is a diatonic scale,
- G6 =
G5 ∪ G'4
is a chromatic scale, and
- G7 =
G6 ∪ G'4
is an
enharmonic scale, or,
alternatively,
- G7 =
G6 ∪ G'5
could be a microtonal scale with 19 tones in the
octave.
This
microtonal 19-tone scale could be
followed by
- G8 =
G7 ∪ G'6
which would be a microtonal 31-tone scale (19 +
12 = 31),
- G9 =
G8 ∪ G'6
which would be a microtonal 43-tone scale (31 +
12 = 43).
Examples:
- G1 =
{C}
- G2 =
{C,G} = {C} ∪ {G}
- G3 =
{C,F,G} = {C,G} ∪ {F}
- G4 =
{C,D,F,G,A} = {C,F,G} ∪ {D,A}
- G5 =
{C,D,E,F,G,A,B} = {C,D,F,G,A} ∪ {E,B}
- G6 =
{C,C#,D,D#,E,F,F#,G,G#,A,A#,B} = {C,D,E,F,G,A,B} ∪
{C#,D#,F#,G#,A#}
- G7 =
{C,C#,Db,D,D#,Eb,E,F,F#,Gb,G,G#,Ab,A,A#,Bb,B} = {C,C#,D,D#,E,F,F#,G,G#,A,A#,B}
∪ {Db,Eb,Gb,Ab,Bb}
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